Ken Burns reflecting on His Monumental War of Independence Film Series: ‘We Won’t Work on a More Important Film’
The veteran filmmaker is now considered beyond being a documentarian; his name is a franchise, a prolific creative force. With each new project heading for the small screen, everyone seeks his attention.
Burns has done “an astonishing number of podcasts”, he says, wrapping up of his marathon promotional journey comprising numerous locations, numerous film showings and hundreds of interviews. “I think there are 340.1m podcasts, one for every American, and I’ve done half of them.”
Fortunately the filmmaker is incredibly dynamic, equally articulate in interviews as he is productive during post-production. At seventy-two has gone everywhere from Monticello to The Joe Rogan Experience to promote a career-defining series: this historical epic, an extensive six-episode, twelve-hour film project that occupied a substantial portion of his recent years and arrived this week through the public broadcasting service.
Classic Documentary Style
Comparable to methodical preparation in an age of fast food, this documentary series is defiantly traditional, evoking memories of The World at War as opposed to modern streaming docs new media formats.
However, for the filmmaker, whose entire filmography exploring national heritage including baseball, country music, jazz and national parks, the revolutionary period transcends ordinary historical coverage but essential. “As I mentioned to directing partner Sarah Botstein the other day, and she agreed: we won’t work on a more important film Burns states by phone from New York.
Comprehensive Scholarly Work
Burns and his collaborators along with writer Geoffrey Ward referenced thousands of books and other historical materials. Multiple academic experts, covering various ideological backgrounds, contributed scholarly insights together with prominent academics representing multiple disciplines including slavery, Native American history and the British empire.
Signature Documentary Style
The style of the series will appear similar to devotees of The Civil War. Its distinctive style included slow pans and zooms over historical images, extensive employment of contemporary scores and actors interpreting primary sources.
That was the moment Burns built his legacy; years later, now the doyen of documentaries, he can apparently summon numerous talented actors. Appearing alongside Burns during a recent appearance, renowned playwright Lin-Manuel Miranda noted: “Nobody declines an invitation from Ken Burns.”
Extraordinary Talent
The extended filming period provided advantages concerning availability. Filming occurred at professional facilities, in relevant places and remotely via Zoom, a method utilized during the pandemic. Burns explains the experience with performer Josh Brolin, who made time while in Georgia to perform his role as the revolutionary leader then continuing to subsequent commitments.
Brolin is joined by multiple distinguished artists, Jeff Daniels, Morgan Freeman, Paul Giamatti, emerging and established stars, household names and rising talent, Samuel L Jackson, Michael Keaton, Tracy Letts, international acting community, skilled dramatic performers, television and film stars, plus additional notable names.
Burns adds: “Truly, this might be the most exceptional group gathered for any production. They do an extraordinary service. They’re not picked because they’re celebrities. I became frustrated when someone asked, about the prominent cast. I go, ‘These are actors.’ They represent global acting excellence and they animate historical material.”
Nuanced Narrative
However, the absence of living witnesses, photography and newsreels compelled the production to depend substantially on the written word, combining the first-person voices of numerous historical characters. This methodology permitted to show spectators beyond the prominent leaders of the revolution plus numerous additional who are seminal to the story”, several participants lack visual representation.
Burns also indulged his particular enthusiasm for territorial understanding. “I have great affection for cartography,” he observes, “with greater cartographic content in this film than in all the other films across my complete filmography.”
Worldwide Consequences
Filmmakers captured footage at nearly a hundred historical locations across North America and in London to preserve geographical atmosphere and collaborated substantially with living history participants. All these elements combine to tell a story more violent, complex and globally significant compared to standard education.
The documentary argues, represented more than local dispute over land, taxation and representation. Instead the film portrays a brutal conflict that eventually involved more than two dozen nations and unexpectedly manifested what it calls “the noble aspirations of humankind”.
Internal Conflict Truth
Initial complaints and protests leveled at London by far-flung British subjects in 13 fractious colonies quickly evolved into a bloody domestic struggle, setting brother against brother and neighbour against neighbour. During the second installment, scholar Alan Taylor notes: “The main misapprehension regarding the Revolutionary War is that it was something a consolidating event for colonists. It leaves out the reality that it was a civil war among Americans.”
Nuanced Understanding
For him, the independence account that “typically is overwhelmed by emotionalism and wistful remembrance and remains shallow and insufficiently honors actual events, every individual involved and the widespread bloodshed.”
Taylor maintains, a movement that announced the revolutionary principle of the unalienable rights of people; a vicious internal conflict, dividing revolutionaries and royalists; plus an international conflict, continuing previous patterns of conflicts between Britain, France and Spain for dominance in the New World.
Contingent Historical Events
The filmmaker also sought {to rediscover the